Box-Bird and Branch
The cosmos of my work is in a forest. Flights of birds grow on silent trees and huge seeds take different positions. The leaf is the poetic unit which allows the magic passage from the world of plants to the one of animals and from there to the geophysical world.
When I begin my work, I spend a lot of time minutely observing the physical world. Then this state of vigilance is changed through a more distant positioning in which the object I observe is the parallel motion of my creative process to that of nature.
Is there an ecology of conceptual and creative phenomena? I often tend to incorporate ecological concerns by contrasting elements (birds on trees without foliage, seeds with burning interiors) to suggest the interplay of human interventions on natural processes.