USA - California 1999
Spilling out of a Pandora’s box, previously concealed truths reveal themselves. A hand, a living experience and the intuition it contains, is full of signification. This can be translated in a multiplicity of paradoxical ways.
Beauty is a socioeconomic and political construction. How we depict women in art opens up a dialogue and an opportunity to affect our inter-relationships. We are not alone in deriving pleasure from the spectacle. Manet’s Olympia, and the official ideology she implies, returns our gaze.